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60
Ultrasonic songs of male mice.
- PLoS Biol.
, 2005
"... Previously it was shown that male mice, when they encounter female mice or their pheromones, emit ultrasonic vocalizations with frequencies ranging over 30-110 kHz. Here, we show that these vocalizations have the characteristics of song, consisting of several different syllable types, whose tempora ..."
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Previously it was shown that male mice, when they encounter female mice or their pheromones, emit ultrasonic vocalizations with frequencies ranging over 30-110 kHz. Here, we show that these vocalizations have the characteristics of song, consisting of several different syllable types, whose temporal sequencing includes the utterance of repeated phrases. Individual males produce songs with characteristic syllabic and temporal structure. This study provides a quantitative initial description of male mouse songs, and opens the possibility of studying song production and perception in an established genetic model organism. Citation: Holy TE, Guo Z (2005) Ultrasonic songs of male mice. PLoS Biol 3(12): e386.
source levels, and associated behavior of Humpback whales
- Southeast Alaska”, J. Acoust. Soc. Am
, 1986
"... Humpback whales in Southeast Alaskan waters produced five categories of sounds: moans, grunts, pulse trains, blowhole-associated sounds, and surface impacts. Frequencies (Hz) of moans and grunts were 20-1900. Major energy in low-frequency pulse trains was in a band of 25-80 Hz with pulse duration o ..."
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Humpback whales in Southeast Alaskan waters produced five categories of sounds: moans, grunts, pulse trains, blowhole-associated sounds, and surface impacts. Frequencies (Hz) of moans and grunts were 20-1900. Major energy in low-frequency pulse trains was in a band of 25-80 Hz with pulse duration of 300-4(30 ms. Blowhole-associated sounds, recorded as transiting whales encountered one another, were of two types: shrieks, 555-2000 Hz, and trumpetlike horn blasts with fundamental at 414 Hz (median). Pulses and spread spectrum noise were associated with gas bubble formation and explosive bursts, respectively, in connection with spiral feeding maneuvers. Surface impacts resulted from fluke or flipper slaps in sequences of 3-21 sounds. Source levels ranged from 162 (low-frequency pulse trains) to 192 dB '(surface impacts), re: 1 pPa, 1 m. Songs, commonly heard on winter breeding grounds, were absent from our recordings. Feeding and perhaps certain other whale activities can be monitored based on sound production.
Vocalisations of Antarctic blue whales, Balaenoptera musculus intermedia, recorded during the 2001/2002 and 2002/2003 IWC/SOWER circumpolar cruises
- Area V, Antarctica. J. Cetacean Res. Manage
, 2005
"... Blue whale vocalisations recorded during the 2001/2002 and 2002/2003 International Whaling Commission-Southern Ocean Whale and Ecosystem Research (IWC/SOWER) cruises were analysed to determine the feasibility of using acoustic recordings for sub-species identification of the Antarctic blue whale (Ba ..."
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Blue whale vocalisations recorded during the 2001/2002 and 2002/2003 International Whaling Commission-Southern Ocean Whale and Ecosystem Research (IWC/SOWER) cruises were analysed to determine the feasibility of using acoustic recordings for sub-species identification of the Antarctic blue whale (Balaenoptera musculus intermedia) and the pygmy blue whale (B.m. brevicauda). The research was conducted in IWC Area V, from latitude 60°S to the ice edge and between longitudes 130°E and 150°E on the Shonan Maru (2001/2002), and between 150°E and 170°W on the Shonan Maru No.2 (2002/2003). Data including 15 groups consisting of 42 animals, as well as opportunistic recordings of an unknown number of animals during evening sonobuoy stations were examined for this study. Vocalisations included long-duration 28Hz tonal sounds and relatively short-duration frequency-modulated sounds. The short-duration calls were similar to vocalisations recorded in the presence of blue whales in other locations worldwide. Not all recordings contained the longduration 28Hz call, considered to be a species-specific vocalisation of Antarctic blue whales. None of the sounds that have previously been attributed to pygmy blue whales were detected. The long-duration 28Hz tonal vocalisations included 3-unit calls, considered to be song phrases, as well as simple 28Hz sounds and 28Hz sounds followed by a downsweep. The centre and peak frequencies of the 28Hz tone for these three sound types were stable regardless of signal strength; however, for the 3-unit vocalisation, the presence and characteristics of their 2nd and 3rd units were variable. Examination of two distinct groups of simultaneously vocalising blue whales showed no evidence of temporally repeated patterns of vocalisations (song phrases). The results of this study suggest that the peak frequency of the 28Hz
The evolution of combinatorial phonology
- Journal of Phonetics
, 2010
"... A fundamental, universal property of human language is that its phonology is combinatorial. That is, one can identify a set of basic, distinct units (phonemes, syllables) that can be productively combined in many different ways. In this paper, we develop a methodological framework based on evolution ..."
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A fundamental, universal property of human language is that its phonology is combinatorial. That is, one can identify a set of basic, distinct units (phonemes, syllables) that can be productively combined in many different ways. In this paper, we develop a methodological framework based on evolutionary game theory for studying the evolutionary transition from holistic to combinatorial signal systems, and use it to evaluate a number of existing models and theories. We find that in all problematic linguistic assumptions are made or crucial components of evolutionary explanations are omitted. We present a novel model to investigate the hypothesis that combinatorial phonology results from optimizing signal systems for perceptual distinctiveness. Our model differs from previous models in three important respects. First, signals are modeled as trajectories through acoustic space; hence, both holistic and combinatorial signals have a temporal structure. Second, acoustic distinctiveness is defined in terms of the probability of confusion. Third, we show a path of ever increasing fitness from unstructured, holistic signals to structured signals that can be analyzed as combinatorial. On this path, every innovation represents an advantage even if no-one else in a population has yet obtained it. Key words: evolution of language; evolutionary phonology; simulations; phonemic coding
Changes in Humpback Whale Song Occurrence in Response to an Acoustic Source 200 km Away
, 2012
"... The effect of underwater anthropogenic sound on marine mammals is of increasing concern. Here we show that humpback whale (Megaptera novaeangliae) song in the Stellwagen Bank National Marine Sanctuary (SBNMS) was reduced, concurrent with transmissions of an Ocean Acoustic Waveguide Remote Sensing (O ..."
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The effect of underwater anthropogenic sound on marine mammals is of increasing concern. Here we show that humpback whale (Megaptera novaeangliae) song in the Stellwagen Bank National Marine Sanctuary (SBNMS) was reduced, concurrent with transmissions of an Ocean Acoustic Waveguide Remote Sensing (OAWRS) experiment approximately 200 km away. We detected the OAWRS experiment in SBNMS during an 11 day period in autumn 2006. We compared the occurrence of song for 11 days before, during and after the experiment with song over the same 33 calendar days in two later years. Using a quasi-Poisson generalized linear model (GLM), we demonstrate a significant difference in the number of minutes with detected song between periods and years. The lack of humpback whale song during the OAWRS experiment was the most substantial signal in the data. Our findings demonstrate the greatest published distance over which anthropogenic sound has been shown to affect vocalizing baleen whales, and the first time that active acoustic fisheries technology has been shown to have this effect.
High source levels and small active space of high-pitched song in bowhead whales (Balaena mysticetus
, 2012
"... The low-frequency, powerful vocalizations of blue and fin whales may potentially be detected by conspecifics across entire ocean basins. In contrast, humpback and bowhead whales produce equally powerful, but more complex broadband vocalizations composed of higher frequencies that suffer from higher ..."
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The low-frequency, powerful vocalizations of blue and fin whales may potentially be detected by conspecifics across entire ocean basins. In contrast, humpback and bowhead whales produce equally powerful, but more complex broadband vocalizations composed of higher frequencies that suffer from higher attenuation. Here we evaluate the active space of high frequency song notes of bowhead whales (Balaena mysticetus) in Western Greenland using measurements of song source levels and ambient noise. Four independent, GPS-synchronized hydrophones were deployed through holes in the ice to localize vocalizing bowhead whales, estimate source levels and measure ambient noise. The song had a mean apparent source level of 18562 dB rms re 1 mPa @ 1 m and a high mean centroid frequency of 444648 Hz. Using measured ambient noise levels in the area and Arctic sound spreading models, the estimated active space of these song notes is between 40 and 130 km, an order of magnitude smaller than the estimated active space of low frequency blue and fin whale songs produced at similar source levels and for similar noise conditions. We propose that bowhead whales spatially compensate for their smaller communication range through mating aggregations that co-evolved with broadband song to form a complex and dynamic acoustically mediated sexual display.
Seismic surveys negatively affect humpback whale singing activity off northern Angola
- PLoS ONE 9
, 2014
"... Passive acoustic monitoring was used to document the presence of singing humpback whales off the coast of Northern Angola, and opportunistically test for the effect of seismic survey activity in the vicinity on the number of singing whales. Two Marine Autonomous Recording Units (MARUs) were deployed ..."
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Passive acoustic monitoring was used to document the presence of singing humpback whales off the coast of Northern Angola, and opportunistically test for the effect of seismic survey activity in the vicinity on the number of singing whales. Two Marine Autonomous Recording Units (MARUs) were deployed between March and December 2008 in the offshore environment. Song was first heard in mid June and continued through the remaining duration of the study. Seismic survey activity was heard regularly during two separate periods, consistently throughout July and intermittently in mid-October/ November. Numbers of singers were counted during the first ten minutes of every hour for the period from 24 May to 1 December, and Generalized Additive Mixed Models (GAMMs) were used to assess the effect of survey day (seasonality), hour (diel variation), moon phase and received levels of seismic survey pulses (measured from a single pulse during each ten-minute sampled period) on singer number. Application of GAMMs indicated significant seasonal variation, which was the most pronounced effect when assessing the full dataset across the entire season (p,0.001); however seasonality almost entirely dropped out of top-ranked models when applied to a reduced dataset during the July period of seismic survey activity. Diel variation was significant in both the full and reduced datasets (from p,0.01 to p,0.05) and often included in the top-ranked models. The number of singers significantly decreased with increasing received level of seismic survey pulses (from p,0.01 to p,0.05); this explanatory variable was included among the top ranked models for one MARU in the
A Portable Matched-Field Processing System Using Passive Acoustic Time Synchronization
"... Abstract—A portable matched-field processing (MFP) system for tracking marine mammals is presented, constructed by attaching a set of autonomous flash-memory acoustic recorders to a rope to form a four-element vertical array, or “insta-array.” The acoustic data are initially time-synchronized by per ..."
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Abstract—A portable matched-field processing (MFP) system for tracking marine mammals is presented, constructed by attaching a set of autonomous flash-memory acoustic recorders to a rope to form a four-element vertical array, or “insta-array.” The acoustic data are initially time-synchronized by performing a matched-field global inversion using acoustic data from an opportunistic source, and then by exploiting the spatial coherence of the ocean ambient noise background to measure and correct for the relative clock drift between the autonomous recorders. The technique is illustrated by using humpback whale song collected off the eastern Australian coast to synchronize the array, which is then used to track the dive profile of the whale using MFP methods. The ability to deploy autonomous instruments into arbitrary “insta-array ” geometries with conventional fishing gear may permit nonintrusive array measurements in regions currently too isolated, expensive, or environmentally hostile for standard acoustic equipment. Index Terms—Acoustic arrays, acoustic beam steering, marine animals, underwater acoustic arrays, underwater acoustics, underwater technology. I.
2007. Vocalizations of the sei whale Balaenoptera borealis off the Hawaiian Islands
- Bioacoustics - 'The International Journal of Animal Sound and Its Recording
"... Little is known about the sounds produced by the Sei Whale Balaenoptera borealis and no recordings have been made in their presence in the Pacific Ocean. This research presents sounds recorded in the presence of Sei whales near the Hawaiian Islands in November, 2002. A total of 107 vocalizations, in ..."
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Little is known about the sounds produced by the Sei Whale Balaenoptera borealis and no recordings have been made in their presence in the Pacific Ocean. This research presents sounds recorded in the presence of Sei whales near the Hawaiian Islands in November, 2002. A total of 107 vocalizations, including two variations of low-frequency downswept calls, were measured. Two of these calls were sweeps from 100 Hz to 44 Hz, over 1.0 seconds. The second call type (n=105) consisted of lowfrequency calls which swept from 39 Hz to 21 Hz over 1.3 seconds. These calls are different from sounds attributed to Sei whales in the Atlantic and Southern Oceans, where recordings were made only in the summer months. These sounds are similar, however, to sounds attributed to fin whales in Hawaiian waters. Additional studies are needed in order to understand the spatial and temporal variation in the vocal repertoire of Sei and Fin whales in the Pacific Ocean.