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2013 Shift of song frequency in response to masking tones
- Anim. Behav
"... Keywords: black-capped chickadee communication frequency interference masking noise overlap plasticity Poecile atricapillus song Ambient noise can interfere with signal transmission and detection across many taxa and modalities. Evidence suggests that, over time, signals evolve to minimize interfer ..."
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Keywords: black-capped chickadee communication frequency interference masking noise overlap plasticity Poecile atricapillus song Ambient noise can interfere with signal transmission and detection across many taxa and modalities. Evidence suggests that, over time, signals evolve to minimize interference from ambient noise and other signalling animals. Less well studied is the possibility of short-term behavioural responses to transient ambient noise, in which animals actively adjust signal parameters to recover signalling efficacy. Here we test animals' capacity to adjust vocal signal parameters in the face of transient acoustic interference. In field trials we monitored the songs of territorial male black-capped chickadees, Poecile atricapillus, determined the frequencies of their 'fee-bee' songs, and broadcast tones to closely mask subjects' 'bee' notes. We also presented control nonmasking tones of 5 kHz, well above birds' song frequencies. Our main finding was that males responded to masking tones by shifting song frequencies after an average of 66.4 s from tone onset, whereas frequency shifts in the presence of nonmasking tones occurred only after an average of 95.8 s. The quicker shift in frequencies in the face of masking noise provides new evidence for vocal behavioural plasticity, and further reveals how behavioural plasticity together with evolutionary adaptations can minimize the detrimental effects of ambient noise on communication. Ó
Why is birdsong so repetitive? Signal detection and the evolution of avian singing modes
- Behaviour
"... Abstract Signal repertoires, such as the song type repertoires of many songbirds, are thought to play a role in male mating success, with females preferring larger male repertoires over smaller ones. Yet, in many songbird species, males sing in a way that does not readily reveal their repertoire si ..."
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Abstract Signal repertoires, such as the song type repertoires of many songbirds, are thought to play a role in male mating success, with females preferring larger male repertoires over smaller ones. Yet, in many songbird species, males sing in a way that does not readily reveal their repertoire sizes by repeating each song type multiple times before switching to the next. Here I describe a potential explanation for such signal redundancy, based on the predictions of signal detection theory as it applies to intersexual communication during mate choice. According to this idea, a female's response threshold to male mating signals (i.e., her 'choosiness') should select for male signal features that elicit favorable female responses (i.e., that are more 'detectable'). Males can increase the detectability of their signals by producing them with higher redundancy, as well as by increasing their intensity and distinctiveness. Thus, in species with relatively high female response thresholds to males, such as taxa in which the sexes associate only briefly during breeding, males are expected to produce mate attraction signals that are especially stereotyped and repetitive. High signal stereotypy is also expected to be associated with features within signals that are relatively extravagant. Phylogenetic studies of a songbird group with a wide range of mating patterns, the oropendolas and caciques (family Icteridae), provide evidence consistent with these evolutionary predictions. Singing modes in this group have become more repetitive in some lineages along with the evolution of polygynous mating systems, even as various features within songs have become more extravagant.
Source levels of social sounds in migrating humpback whales (Megaptera novaeangliae)
"... The source level of an animal sound is important in communication, since it affects the distance over which the sound is audible. Several measurements of source levels of whale sounds have been reported, but the accuracy of many is limited because the distance to the source and the acoustic transmi ..."
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The source level of an animal sound is important in communication, since it affects the distance over which the sound is audible. Several measurements of source levels of whale sounds have been reported, but the accuracy of many is limited because the distance to the source and the acoustic transmission loss were estimated rather than measured. This paper presents measurements of source levels of social sounds (surface-generated and vocal sounds) of humpback whales from a sample of 998 sounds recorded from 49 migrating humpback whale groups. Sources were localized using a wide baseline five hydrophone array and transmission loss was measured for the site. Social vocalization source levels were found to range from 123 to 183 dB re 1 lPa @ 1 m with a median of 158 dB re 1 lPa @ 1 m. Source levels of surface-generated social sounds ("breaches" and "slaps") were narrower in range (133 to 171 dB re 1 lPa @ 1 m) but slightly higher in level (median of 162 dB re 1 lPa @ 1 m) compared to vocalizations. The data suggest that group composition has an effect on group vocalization source levels in that singletons and mother-calf-singing escort groups tend to vocalize at higher levels compared to other group compositions.
Humpback Whale Song or Humpback Whale Sonar? A Reply to Au et al.
"... Abstract—Au and colleagues ’ arguments against the hypothesis that humpback whale songs function as long-range sonar are based on questionable assumptions rather than on empirical data. Like other echolocating mammals (e.g., bats), singing humpback whales: 1) localize targets in the absence of visua ..."
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Abstract—Au and colleagues ’ arguments against the hypothesis that humpback whale songs function as long-range sonar are based on questionable assumptions rather than on empirical data. Like other echolocating mammals (e.g., bats), singing humpback whales: 1) localize targets in the absence of visual information; 2) possess a highly innervated peripheral auditory system; and 3) modulate the temporal and spectral features of their sounds based on environmental conditions. The sonar equation is inadequate for determining whether humpback whale songs generate detectable echoes from other whales because it does not account for temporal variables that can strongly affect the detectability of echoes. In particular, the sonar equation ignores the fact that much of the noise encountered by singing humpback whales is spectrally and temporally predictable, and that audition in mammals is a dynamic and plastic process. Experiments are needed to test the hypothesis that singing humpback whales listen for and respond to echoes generated by their songs. Index Terms—Baleen whale, cetacean, environmentally-adaptive sonar, low-frequency sonar, mysticete.
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"... e presence of noise denotes adaptations to cope with high interference, in spite of the relatively simple acoustic environment of the austral temperate forest. ..."
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e presence of noise denotes adaptations to cope with high interference, in spite of the relatively simple acoustic environment of the austral temperate forest.
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"... Correlates of variability in killer whale stereotyped call repertoires. by ..."
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Correlates of variability in killer whale stereotyped call repertoires. by