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On Finding Melodic Lines in Audio Recordings

by Matija Marolt , 2004
"... The paper presents our approach to the problem of finding melodic line(s) in polyphonic audio recordings. The approach is composed of two different stages, partially rooted in psychoacoustic theories of music perception: the first stage is dedicated to finding regions with strong and stable pitch (m ..."
Abstract - Cited by 17 (1 self) - Add to MetaCart
The paper presents our approach to the problem of finding melodic line(s) in polyphonic audio recordings. The approach is composed of two different stages, partially rooted in psychoacoustic theories of music perception: the first stage is dedicated to finding regions with strong and stable pitch

1 A Mid-Level Representation for Melody-based Retrieval in Audio Collections

by Matija Marolt
"... Abstract — Searching audio collections using high-level musical descriptors is a difficult problem, due to the lack of reliable methods for extracting melody, harmony, rhythm, and other such descriptors from unstructured audio signals. In the paper, we present a novel approach to melody-based retrie ..."
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-based retrieval in audio collections. Our approach supports audio, as well as symbolic queries and ranks results according to melodic similarity to the query. We introduce a beat-synchronous melodic representation consisting of salient melodic lines, which are extracted from the analyzed audio signal. We propose

Automatic Extraction of Tempo and Beat from Expressive Performances

by Simon Dixon - Journal of New Music Research , 2001
"... We describe a computer program which is able to estimate the tempo and the times of musical beats in expressively performed music. The input data may be either digital audio or a symbolic representation of music such as MIDI. The data is processed off-line to detect the salient rhythmic events and t ..."
Abstract - Cited by 193 (27 self) - Add to MetaCart
We describe a computer program which is able to estimate the tempo and the times of musical beats in expressively performed music. The input data may be either digital audio or a symbolic representation of music such as MIDI. The data is processed off-line to detect the salient rhythmic events

ATOMIC NOTATION AND MELODIC SIMILARITY

by Ludger Hofmann-engl, The Link
"... Abstract. Musical representation has been an issue as old as music notation itself. There has been considerable development over the centuries since medieval times. Contemporary music particularly has seen many attempts to extend traditional notation. However, it appears that none of the existing sy ..."
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systems has paid sufficient attention to the notation of durations and loudness. This article proposes a notation in form of atomic chains, where durational values are represented according to their lengths. This is, the longer a duration is, the longer will be the line representing this value. This does

Finding Cover Songs by Melodic Similarity

by Christian Sailer, Karin Dressler
"... This paper describes the submission to the MIREX 06 (Music Information Retrieval EXchange) Audio Cover Song task delivered by Fraunhofer IDMT. A method to detect cover songs by comparing the most salient melodies of musical pieces is proposed, based on the assumption that cover versions of one song ..."
Abstract - Cited by 1 (0 self) - Add to MetaCart
This paper describes the submission to the MIREX 06 (Music Information Retrieval EXchange) Audio Cover Song task delivered by Fraunhofer IDMT. A method to detect cover songs by comparing the most salient melodies of musical pieces is proposed, based on the assumption that cover versions of one song

Ridge-Valley Lines on Meshes via Implicit Surface Fitting

by Yutaka Ohtake , Alexander Belyaev , Hans-Peter Seidel - ACM TRANS. GRAPH , 2004
"... We propose a simple and effective method for detecting view- and scale-independent ridge-valley lines defined via first- and secondorder curvature derivatives on shapes approximated by dense triangle meshes. A high-quality estimation of high-order surface derivatives is achieved by combining multi-l ..."
Abstract - Cited by 123 (8 self) - Add to MetaCart
We propose a simple and effective method for detecting view- and scale-independent ridge-valley lines defined via first- and secondorder curvature derivatives on shapes approximated by dense triangle meshes. A high-quality estimation of high-order surface derivatives is achieved by combining multi

CROSS-MODAL MELODIC CONTOUR SIMILARITY

by Jon B. Prince, Mark A. Schmuckler, William Forde Thompson , 2009
"... In two experiments participants rated the similarity of melodic contours presented as auditory (melodies) and visual (line drawings) stimuli. Longer melodies were assessed in Experiment 1 (M = 35 notes); shorter melodies were assessed in Experiment 2 (M = 17 notes). Ratings for matched auditory and ..."
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In two experiments participants rated the similarity of melodic contours presented as auditory (melodies) and visual (line drawings) stimuli. Longer melodies were assessed in Experiment 1 (M = 35 notes); shorter melodies were assessed in Experiment 2 (M = 17 notes). Ratings for matched auditory

The Processing of Chords in Tonal Melodic Sequences

by Erik Jansen, Dirk-jan Povel
"... A model is proposed for the On-Line Harmonic Processing (OLHP) of tonal melodic sequences in which each incoming tone is described in terms of its features Fittingness, compliance with the previous harmony, Uncertainty, ambiguity of a new harmony, and Chord Change, goodness of the connection between ..."
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A model is proposed for the On-Line Harmonic Processing (OLHP) of tonal melodic sequences in which each incoming tone is described in terms of its features Fittingness, compliance with the previous harmony, Uncertainty, ambiguity of a new harmony, and Chord Change, goodness of the connection

Gaussian Mixture Models for Extraction of Melodic Lines from Audio Recordings

by Matija Marolt , 2004
"... The presented study deals with extraction of melodic line(s) from polyphonic audio recordings. We base our work on the use of expectation maximization algorithm, which is employed in a two-step procedure that finds melodic lines in audio signals. In the first step, EM is used to find regions in the ..."
Abstract - Cited by 13 (0 self) - Add to MetaCart
The presented study deals with extraction of melodic line(s) from polyphonic audio recordings. We base our work on the use of expectation maximization algorithm, which is employed in a two-step procedure that finds melodic lines in audio signals. In the first step, EM is used to find regions

J.M.: Melodic track identification in MIDI files

by David Rizo, Pedro J. Ponce De León, Antonio Pertusa, Josém. Iñesta - In: Proceedings of the 19th International FLAIRS Conference , 2006
"... The objective of this work is to find the melodic line in MIDI files. Usually, the melodic line is stored in a single track, while the other tracks contain the accompaniment. The detection of the track that contains the melodic line can be very useful for a number of applications, such as melody mat ..."
Abstract - Cited by 3 (0 self) - Add to MetaCart
The objective of this work is to find the melodic line in MIDI files. Usually, the melodic line is stored in a single track, while the other tracks contain the accompaniment. The detection of the track that contains the melodic line can be very useful for a number of applications, such as melody
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