video itself. Many of the parameters that define the appearance of a stroke are set at runtime. This provides the artist with a wealth of interactive aesthetic controls for modifying the final result. Benefits of our work include interactive stylistic flexibility and aesthetic control, and methods

video itself. Many of the parameters that define the appearance of a stroke are set at runtime. This provides the artist with a wealth of interactive aesthetic controls for modifying the final result. Benefits of our work include interactive stylistic flexibility and aesthetic control, and methods

silhouette line to a stylus stroke with various widths at each control point and a 2D brush model is combined with it to simulate a Chinese painting stroke. In the interior shading pipeline, three stages are used to convert a Gouraud-shading image to a Chinese painting style image: color quantization, ink

data elements of large multidimensional datasets. Each element’s attributes controls the visual features of one or more brushstrokes. To pursue aesthetic appeal, we draw inspiration from the Impressionist style of painting and apply rendering techniques from nonphotorealistic graphics. We construct our

data elements of large multidimensional datasets. Each element’s attributes controls the visual features of one or more brushstrokes. To pursue aesthetic appeal, we draw inspiration from the Impressionist style of painting and apply rendering techniques from nonphotorealistic graphics. We construct our

of convolution surface and cloud shape were applied to generate foliage. We allowed users to have some degrees of interactive control over the plant communities such as the hand planting trees, the tree species selecting, and the multiple fog deployments…etc. A Chinese water-ink landscape painting doesn

I would like to express my appreciation for the help of

A recent study showed that people evaluate products more positively when they are physically associated with art images than similar non-art images. Neuroimaging studies of visual art have investigated artistic style and esthetic preference but not brain responses attributable specifically

Abstract not found

I hereby declare that I have created this work completely on my own and used no other sources or tools than the ones listed, and that I have marked any citations accordingly. Hiermit versichere ich, dass ich die vorliegende Arbeit selbständig verfasst und keine anderen als die angegebenen Quellen und Hilfsmittel benutzt sowie Zitate kenntlich gemacht habe.