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Table C4.T19. FOIA Appeal Components

in unknown title
by unknown authors 2007

TABLE 4: Outcome of Cases in Alberta Court of Appeal, 1997 - 2001

in JUDICIAL REVIEW OF ARBITRATION DECISIONS
by Erika L. Ringseis, Allen Ponak

Table 5: Results of Aesthetic Values (avs) of Mandarin Learning Web Pages by Using SDA

in Probing a Self-Developed Aesthetics Measurement Application (SDA) in Measuring Aesthetics of Mandarin Learning Web
by Jasni Mohamad Zain, Mengkar Tey, Yingsoon Goh 2008
"... In PAGE 6: ... This information included number of objects, width, height, area, difference between objects and frames, centre point of objects while the aesthetics values showed were Balance, Equilibrium, Symmetry, Sequence, Rhythm, Order and Complexity as well as the overall Aesthetics Value (OM). Figure 2: Execution Dialogue: Drag Objects on Interface Figure 3: Execution Dialogue: Click Count Aesthetic Value Button Figure 4: Object Model of Main Page (Group 1) with Objects Numbered Figure 5: Aesthetic Value of Main Page Interface Figure 6: Information of Objects Dragged and Aesthetic Values of Main Page (Group 1) As a concrete example of how we used this application for our research, Table5 showed the results of all of the aesthetics values of twelve web pages used in our research. These values were between 0 (the worst) and 1 (the best).... ..."

Table 2: Six Major Components Used for Aesthetics Measurement Source: Ngo, Teo, and Byrne (2003)

in Probing a Self-Developed Aesthetics Measurement Application (SDA) in Measuring Aesthetics of Mandarin Learning Web
by Jasni Mohamad Zain, Mengkar Tey, Yingsoon Goh 2008
"... In PAGE 3: ... Figure 1: Main Interface of Our SDA 3.2 Formulae Involved in the SDA Table2 showed the explanations of terms used and the formulae used for aesthetics measurements. There were altogether six major components used for aesthetics measurement.... ..."

Table 3.1. The Four Factors having strongest correlation in Commercial Court level and Appeal Level First Instance (Commercial Court) Appeal (Supreme Court)

in MINISTRY OF COMPANY AFFAIRS
by unknown authors

Table 2. Extended aesthetic measure M( quot;; ) applied on shape distortion sequence.

in On Birkhoff's Aesthetic Measure of Vases
by Fi Mu, Tomás Staudek
"... In PAGE 7: ... Let us set the length tolerance quot; =0:1and the angle tolerance =5 . If formula (3) together with considered tolerances is applied on the vase sequence, results overviewed in Table2 are obtained. The extended aesthetic measure function M( quot;; ) tends to respect a progress of function M in each of its monotonous intervals, as demonstrated in Fig.... ..."

Table 2. Extended aesthetic measure M( quot;; ) applied on shape distortion sequence.

in On Birkhoff's Aesthetic Measure of Vases
by Tomás Staudek, Fi Mu, Tom# Staudek
"... In PAGE 7: ... Let us set the length tolerance quot; = 0:1 and the angle tolerance = 5 . If formula (3) together with considered tolerances is applied on the vase sequence, results overviewed in Table2 are obtained. The extended aesthetic measure function M( quot;; ) tends to respect a progress of function M in each of its monotonous intervals, as demonstrated in Fig.... ..."

Table 1. Informal assessment of the aesthetic/user engagement differences between the two interface styles

in Assessing interaction styles in web user interfaces
by Alistair Sutcliffe, Antonella deAngeli 2005
"... In PAGE 4: ... This required listing the first ten facts/items/issues they could remember about the website, and rating the quality of these memories on a five point scale as favourable, neutral or adverse. Then, they briefly revisited the site and completed the attractiveness heuristics and a questionnaire combining the remaining measures listed in Table1 . After a short break, the procedure was repeated with the other website and a new set of equivalent tasks which varied the planet chosen as subject (Jupiter, Uranus/Saturn, Neptune).... ..."
Cited by 2

Table 6.2: Variances of aesthetic properties using curvilinear method with GEM on the Rome Graphs.

in Curvilinar graph drawing using the force-directed method
by Benjamin Finkel 2003

Table 6.3: Ranges (min-max) of aesthetic properties using curvilinear method with the GEM on the Rome Graphs.

in Curvilinar graph drawing using the force-directed method
by Benjamin Finkel 2003
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