Abstract

Abstract—In this article, some methods are mentioned for developing the theatrical language by giving information of “theatrical language ” since the arising of the language in obsolete terms, and today, and also by examining the problems. Being able to talk meaningfully in the theater stage is a skillful art. Maybe, to be able to convey the idea of the poet, his/her world outlook and his/her feelings from the bottom of the heart as such, also conveying the speech norms without breaking them to the ear of audience in a fascinating way in adverse of a repellent way is the most difficult one. Because of this, “the word is the mirror of the idea”. The importance of the theatrical language should not be perceived as only a post, it is “as the yarn that the culture carpet is weaved from”. Thereby, it is a tool which transposes our culture and our life style from generation to generation. At the time of creativeness, the “word ” comes out from the poet, “the word and feeling ” art comes out from the actor. If it was not so, the audience could read the texts of the work himself/herself instead of going to the theater in order to see the performance. The fundamental works by the Turkish, Kazakh and English scientists have been taken as a basis for the research done.