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Music Dramaturgy and Human Reactions: Music as a Means for Communication
BibTeX
@MISC{Garavaglia_musicdramaturgy,
author = {Javier Alejandro Garavaglia},
title = {Music Dramaturgy and Human Reactions: Music as a Means for Communication},
year = {}
}
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Abstract
Abstract. The main topic of this paper refers to how music communicates and to what it communicates, either considering or not the usage of modern technologies. Based on the categorisation of music dramaturgy proposed in one of his pasts articles [1][2], the author sets the main focus on what happens in the mind of listeners (perception) during a performance (and afterwards) of music rather than considering only the perspective of the creator (intention). Thus, the article not only connects the fields of neuroscience with that of semiotics, but also is a reflection from a philosophical perspective of how the dramaturgy of music affects the perception by arousing reactions (emotions and thoughts) in the audience.
