Abstract

this paper, we report an empirical study of the model outlined above in the context of a classic master-servant scenario. We have been strongly influenced in our choice and treatment of this material by the work of Keith Johnstone, especially his book, Impro: Improvisation and the Theatre [18]. As Johnstone observes: One status relationship that gives immense pleasure to audiences is the masterservant scene. A dramatist who adapts a story for the stage will often add a 3

Citations