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Tracking Musical Beats in Real Time (1990) [46 citations — 2 self]

Abstract:

: Identifying the temporal location of downbeats is a fundamental musical skill. Observing that previous attempts to automate this process are constrained to hold a single current notion of beat timing and placement, we find that they will fail to predict beats and not recover beyond the point at which the first mistake is made. We propose a new model that uses beam search to consider multiple interpretations of the performance. At any time, predictions of beat timing and placement are made according to the most credible of many interpretations under consideration. Introduction. Identifying the temporal location of downbeats is a fundamental musical skill. Even musically untrained humans can tap their foot with the beat when they hear a musical performance. Humans generally perform this task with ease and precision even in the face of unusual rhythms, musical expressiveness, and imprecise performances. A fully general, automatic beat tracker would be of great value in many task...

Citations

71 An On-Line Algorithm for Real-Time Accompanimen – Dannenberg
49 H.: The quantization of musical time: A connectionist approach – DESAIN, HONING - 1989
32 Following an improvisation in real time – Dannenberg - 1987
17 On interpreting Bach – Longuet-Higgins, Steedman - 1971
17 Puckette M. “Synthetic Rehearsal: Training the Synthetic Performer – Vercoe - 1985
14 Toward an intelligent editor of digital audio: Recognition of musical constructs – Chafe, Mont-Reynaud, et al. - 1982
12 The CMU MIDI Toolkit – Dannenberg - 1986
9 The perception of music – Longuet-Higgins - 1978
9 Perception of musical rhythms, Perception – Longuet-Higgins, Lee - 1982
5 The Perception of Musical Rhythm and Metre. Perception – Steedman - 1977
2 Perception of Melodies. Nature – Longuet-Higgins - 1976
2 Toward an Intelligent Editor of – Chafe, Mont-Reynaud, et al. - 1984
1 An On-Line Algorithm 5 – Dannenberg - 1982
1 Synthetic Digital Audio: Recognition of Musical Rehearsal: Training the Synthetic Performer. Constructs – Vercoe, Puckette
1 and Henkjan Honing. Computer Music Association – Desain - 1985
1 Perception of – Longuet-Higgins - 1989
1 The Perception Following an Improvisation in Real Time. of Music – Longuet-Higgins - 1978