MetaCart Sign in to MyCiteSeerX

Include Citations | Advanced Search | Help

Disambiguated Search | Include Citations | Advanced Search | Help

Real-Time Musical Beat Induction with Spiking Neural Networks (2002) [1 citations — 0 self]

by Douglas S. Eck ,  Douglas S. Eck
Add To MetaCart

Abstract:

Beat induction is best described by analogy to the activities of hand clapping or foot tapping, and involves finding important metrical components in an auditory signal, usually music. Though beat induction is intuitively easy to understand it is difficult to define and still more difficult to perform automatically. We will present a model of beat induction that uses a spiking neural network as the underlying synchronization mechanism. This approach has some advantages over existing methods; it runs online, responds at many levels in the metrical hierarchy, and produces good results on performed music (Beatles piano performances encoded as MIDI).In this paper the model is described in some detail and simulation results are discussed.

Citations

373 A quantitative description of membrane current and its application to conduction and excitation in nerve – Hodgkin, Huxley - 1952
281 Visual feature integration and the temporal correlation hypothesis. Annu Rev Neurosci 18:555–586 – Singer, CM - 1995
193 Tempo and beat analysis of acoustic musical signals – Scheirer - 1998
146 Pulsed Neural Networks – Maass, Bishop - 1999
107 An active pulse transmission line simulating nerve axons – Nagumo, Arimoto, et al. - 1960
105 Impulses and physiological states in theoretical models of nerve membrane – FitzHugh - 1961
100 BAutomatic extraction of tempo and beat from expressive performances – Dixon - 2001
74 Spiking neurons, in – Gerstner - 1999
72 BAn online algorithm for real-time accompaniment – Dannenberg - 1985
64 Resonance and the perception of musical meter – Large, Kolen - 1999
53 HONING H.: On tempo tracking: Tempogram representation and kalman filtering – CEMGIL, KAPPEN, et al.
51 Rapid synchronization through fast threshold modulation – Somers, Kopell - 2001
49 H.: The quantization of musical time: A connectionist approach – DESAIN, HONING - 1989
47 Tracking musical beats in real time – Allen, Dannenberg - 1990
41 A Perceptual Model of Pulse Salience and Metrical Accent – Parncutt - 1994
31 Emulation of human rhythm perception – Rosenthal - 1992
31 Synchrony unbound: A critical evaluation of the temporal binding hypothesis – Shadlen, Movshon - 1999
28 Computational models of beat induction: The rule-based approach,Journal of New Music Research – Desain, Honing - 1999
27 The perception of musical rhythms – Longuet-Higgins, Lee - 1982
24 The dynamics of attending: How people track time-varying events – Large, Jones - 1999
22 On the Perception of Time as Phase: Toward an AdaptiveOscillator Model of Rhythm – McAuley - 1995
19 An empirical comparison of tempo trackers – Dixon - 2001
16 Finding downbeats with a relaxation oscillator – Eck - 2002
14 Waves and synchrony in networks of oscillators of relaxation and non-relaxation type – Somers, Kopell - 1995
13 Finding metrical structure in time – McAuley - 1994
13 On the perception of meter – Miller, Scarborough, et al. - 1992
9 Perception of Temporal Patterns. Music Perception – Povel, Essens - 1985
8 A sensory-motor theory of rhythm, time perception and beat induction – Todd, O’Boyle, et al. - 1999
5 Temporal-Pattern Learning in Neural Models – Torras - 1985
4 Meter Through Synchrony: Processing Rhythmical Patterns with Relaxation Oscillators – Eck - 2000
4 A positive-evidence model for rhythmical beat induction – Eck - 2001
3 Learning simple metrical preferences in a network of Fitzhugh-Nagumo oscillators – Eck - 1999