When Children Reflect on Their Playing Style: Experiments With The Continuator and Children (2004)

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by François Pachet , Anna Rita Addessi
Venue:ACM COMPUTERS IN ENTERTAINMENT
Citations:6 - 3 self

Active Bibliography

1 On the Design of a Musical Flow Machine – François Pachet - 2004
15 Playing with virtual musicians: the Continuator in practice – François Pachet - 2002
2 The Future of Content is in Ourselves – François Pachet - 2008
To appear in “The future of research”, Sony CSL 20th anniversary The Future of Content is in Ourselves – François Pachet
2.1.1 Voyager..................................... 8 – Sergio Krakowski, Costa Rego, Advisor Luiz Velho, Co-advisor François Pachet
2.1.1 Voyager................................. 10 – Sergio Krakowski, Costa Rego
2 BAYESIAN MODELING OF MUSICAL EXPECTATIONS VIA MAXIMUM ENTROPY STOCHASTIC GRAMMARS – Randal J. Leistikow, Jonathan Berger, Julius O. Smith - 2006
12 Using Factor Oracles for Machine Improvisation – Gérard Assayag , Shlomo Dubnov
25 Music Generation from Statistical Models – Darrell Conklin - 2003
Perceptual Synthesis Engine: An . . . – Tristan Jehan - 2001
3 New expressive percussion instruments – Roberto Mario Aimi, Roberto Mario Aimi, Roberto Mario Aimi - 2002
T-Music: A Melody Composer based on Frequent Pattern Mining † – Cheng Long, Raymond Chi-wing Wong, Raymond Ka, Wai Sze
13 Interacting with a Musical Learning System: The Continuator – François Pachet - 2002
Proceedings of the Twenty-Second International Joint Conference on Artificial Intelligence Finite-Length Markov Processes with Constraints – François Pachet Pierre Roy
2 Markov constraints: steerable generation of Markov sequences – François Pachet, Pierre Roy - 2010
EXPERIMENT WITH A MUSICAL MACHINE – Anna Rita Addessi, François Pachet - 2005
1 Without touch, without seeing. Children playing with the Continuator, a virtual musician – A. R. Addessi, L. Ferrari, F. Pachet - 2006
TOUCHED BY MUSICAL DISCOVERY. DISCIPLINARY AND CULTURAL PERSPECTIVES – A. R. Addessi, L. Ferrari, F. Pachet
Multiple Viewpoint Modeling of North Indian Classical Vocal Compositions – Ajay Srinivasamurthy, Parag Chordia