2.1.1 Voyager..................................... 8

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by Sergio Krakowski , Costa Rego , Advisor Luiz Velho , Co-advisor François Pachet

Active Bibliography

2.1.1 Voyager................................. 10 – Sergio Krakowski, Costa Rego
3 Beat Induction and Rhythm Analysis for Live Audio Processing: 1st Year PhD Report – Nick Collins, Cb Dp - 2004
16 Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems – Nicholas M. Collins - 2006
Perceptual Synthesis Engine: An . . . – Tristan Jehan - 2001
13 A Multiresolution Time-Frequency Analysis And Interpretation Of Musical Rhythm – Leigh M. Smith - 1999
10 Towards Rhythmic Content Processing of Musical Signals: Fostering Complementary Approaches – Fabien Gouyon, Benoit Meudic - 2003
44 Techniques for the Automated Analysis of Musical Audio – Stephen Webley Hainsworth - 2003
8 Signal Processing for Music Analysis – Meinard Müller, Daniel P. W. Ellis, Anssi Klapuri, Gaël Richard - 2011
14 Computational Models of Musical Meter Recognition – Jarno Seppänen - 2001
51 Structured Audio: Creation, Transmission, and Rendering of Parametric Sound Representations – Barry Vercoe, William Gardner, Eric Scheirer - 1998
9 Ringomatic: A real-time interactive drummer using constraint-satisfaction and drum sound descriptors – Jean-julien Aucouturier - 2005
Pattern induction and matching in music signals – Anssi Klapuri
Automatic Transcription of Pitch Content in Music and Selected Applications – Matti Ryynänen
Functional Framework Coffee Break Evaluation of Rhythm Description Systems MIR Applications of Rhythm Description Some ideas – Fabien Gouyon, Simon Dixon
REAL-TIME BEAT-TRACKER FOR LIVE PERFORMANCE WITH DRUMS – Andrew Robertson, Queen Mary, Mark D. Plumbley, Queen Mary
REINFORCEMENT LEARNING FOR LIVE MUSICAL AGENTS – Nick Collins
Timing is of the Essence: Perceptual and . . . – Jeffrey Adam Bilmes - 1993
Timing is of the Essence: Perceptual and Computational Techniques for Representing, Learning, and Reproducing Expressive Timing in Percussive Rhythm – unknown authors - 1993
“Copy and Scale ” Method for Doing Time-Localized M.I.R. Estimation: Application to Beat-tracking – Geoffroy Peeters