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7
|
Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet
– E B Egozy
- 1995
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6
|
The Timbre Space of the Classical Guitar and its Relationship with the Plucking Techniques
– N Orio
- 1999
|
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3
|
AoBachi: A New Interface for Japanese Drumming
– Diana Young, Ichiro Fujinaga
- 2004
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14
|
Hyperinstruments: A Progress Report
– T MACHOVER
- 1992
|
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3
|
Drum stroke recognition
– J Silpanpää
- 2000
|
|
15
|
O 2000 Estimating the plucking point on a guitar string
– C Traube, J Smith
- 2000
|
|
17
|
Retrieval of percussion gestures using timbre classification techniques
– A R Tindale, A Kapur, G Tzanetakis, I Fujinaga
- 2004
|
|
15
|
The Radio Drum as a synthesizer controller
– B Boie, M Mathews, A Schloss
- 1989
|
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13
|
Digitizing north indian performance
– Ajay Kapur, Philip Davidson, Perry R. Cook, Peter F. Driessen, W. Andrew Schloss
- 2004
|
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3
|
Classifying snare drum sounds using neural networks
– A Tindale
- 2004
|
|
10
|
Indirect Acquisition of Instrumental Gesture Based on Signal, Physical, and Perceptual Information
– Caroline Traube, Philippe Depalle, Marcelo Wanderley
- 2003
|
|
422
|
Automatic Musical Genre Classification Of Audio Signals
– George Tzanetakis, Georg Essl, Perry Cook
- 2002
|
|
21
|
Exploration of Techniques for Automatic Labeling of Audio Drum Tracks' Instruments
– Fabien Gouyon, Perfecto Herrera
- 2001
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