A Comparison of Sensor Strategies for Capturing Percussive Gestures (2005)

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by Adam R. Tindale , Ajay Kapur , George Tzanetakis , Peter Driessen , Andrew Schloss
Venue:In New Interfaces for Musical Expression
Citations:7 - 1 self

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virtual – Sylvie Gibet, Re Bouenard
7 Enhancing the visualization of percussion gestures by virtual . . . – Alexandre Bouënard, Samsara Valoria, et al.
8 Hybrid Percussion: Extending Physical Instruments using Sampled Acoustics – Roberto Mario Aimi - 2006
1 TablaNet: A Real-Time Online Musical Collaboration System for Indian Percussion – Mihir Sarkar, L. Vercoe, Mihir Sarkar - 2007
2.1.1 Voyager..................................... 8 – Sergio Krakowski, Costa Rego, Advisor Luiz Velho, Co-advisor François Pachet
2.1.1 Voyager................................. 10 – Sergio Krakowski, Costa Rego
5 AoBachi: A New Interface for Japanese Drumming – Diana Young, Ichiro Fujinaga - 2004
2 ADVANTAGES AND LIMITATIONS OF SIMULATING PERCUSSION GESTURES FOR SOUND SYNTHESIS – Alexandre Bouënard , Marcelo M. Wanderley, Sylvie Gibet
Author manuscript, published in "ICMC, Montreal, Qc.: Canada (2009)" ADVANTAGES AND LIMITATIONS OF SIMULATING PERCUSSION GESTURES FOR SOUND SYNTHESIS – Erley Sylvie Gibet, Université De Bretagne Sud
Yeah, ChucK It! ⇒ Dynamic, Controllable Interface Mapping – Ge Wang, Ananya Misra, Ajay Kapur, Perry R. Cook - 2005
4 NEW MUSIC INTERFACES FOR RHYTHM-BASED RETRIEVAL – Ajay Kapur
9 Tracking Contact and Free Gesture Across Large Interactive Surfaces – Joseph A. Paradiso - 2003
3 New expressive percussion instruments – Roberto Mario Aimi, Roberto Mario Aimi, Roberto Mario Aimi - 2002
2 Interactive Network Performance: a dream worth dreaming? Organised Sound – Ajay Kapur, Ge Wang, Philip Davidson, Perry R. Cook - 2005
9 Towards a Dimension Space for Musical Devices – D. Birnbaum, R. Fiebrink, J. Malloch, M. M. Wanderley - 2005
13 Gestural Control of Music – Marcelo M. Wanderley
ccrma.stanford}.edu – Michael Zbyszynski, Matthew Wright, Ali Momeni, Daniel Cullen
10 Real-time Human Interaction with Supervised Learning Algorithms for Music Composition and Performance – Rebecca Anne Fiebrink, Adviser Perry, R. Cook
3 Beat Induction and Rhythm Analysis for Live Audio Processing: 1st Year PhD Report – Nick Collins, Cb Dp - 2004