This paper presents a method for recognizing scene categories based on approximate global geometric correspondence. This technique works by partitioning the image into increasingly fine sub-regions and computing histograms of local features found inside each sub-region. The resulting “spatial pyramid ” is a simple and computationally efficient extension of an orderless bag-of-features image representation, and it shows significantly improved performance on challenging scene categorization tasks. Specifically, our proposed method exceeds the state of the art on the Caltech-101 database and achieves high accuracy on a large database of fifteen natural scene categories. The spatial pyramid framework also offers insights into the success of several recently proposed image descriptions, including Torralba’s “gist ” and Lowe’s SIFT descriptors. 1.

We propose a novel approach to learn and recognize natural scene categories. Unlike previous work [9, 17], it does not require experts to annotate the training set. We represent the image of a scene by a collection of local regions, denoted as codewords obtained by unsupervised learning. Each region is represented as part of a “theme”. In previous work, such themes were learnt from hand-annotations of experts, while our method learns the theme distributions as well as the codewords distribution over the themes without supervision. We report satisfactory categorization performances on a large set of 13 categories of complex scenes. 1.

We seek to build a large collection of images with ground truth labels to be used for object detection and recognition research. Such data is useful for supervised learning and quantitative evaluation. To achieve this, we developed a web-based tool that allows easy image annotation and instant sharing of such annotations. Using this annotation tool, we have collected a large dataset that spans many object categories, often containing multiple instances over a wide variety of images. We quantify the contents of the dataset and compare against existing state of the art datasets used for object recognition and detection. Also, we show how to extend the dataset to automatically enhance object labels with WordNet, discover object parts, recover a depth ordering of objects in a scene, and increase the number of labels using minimal user supervision and images from the web.

While navigating in an environment, a vision system has' to be able to recognize where it is' and what the main objects' in the scene are. In this paper we present a context-based vision system for place and object recognition. The goal is' to identify familiar locations' (e.g., office 610, conference room 941, Main Street), to categorize new environments' (office, corridor, street) and to use that information to provide contextualpriors for object recognition (e.g., table, chair, car, computeD. We present a low-dimensional global image representation that provides relevant information for place recognition and categorization, and how such contextual information introduces strong priors' that simplify object recognition. We have trained the system to recognize over 60 locations (indoors' and outdoors') and to suggest the presence and locations' of more than 20 different object types. The algorithm has been integrated into a mobile system that provides real-time feedback to the user. 1This work was sponsored by the Air Force under Air Force Contract F19628-00-C-0002. Opinions, interpretations, conclusions, and recommendations are those of the author and are not necessarily endorsed by the U.S. Government.

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There is general consensus that context can be a rich source of information about an object's identity, location and scale. In fact, the structure of many real-world scenes is governed by strong configurational rules akin to those that apply to a single object. Here we introduce a simple framework for modeling the relationship between context and object properties based on the correlation between the statistics of low-level features across the entire scene and the objects that it contains. The resulting scheme serves as an effective procedure for object priming, context driven focus of attention and automatic scale-selection on real-world scenes.

Abstract. Given a set of images of scenes containing multiple object categories (e.g. grass, roads, buildings) our objective is to discover these objects in each image in an unsupervised manner, and to use this object distribution to perform scene classification. We achieve this discovery using probabilistic Latent Semantic Analysis (pLSA), a generative model from the statistical text literature, here applied to a bag of visual words representation for each image. The scene classification on the object distribution is carried out by a k-nearest neighbour classifier. We investigate the classification performance under changes in the visual vocabulary and number of latent topics learnt, and develop a novel vocabulary using colour SIFT descriptors. Classification performance is compared to the supervised approaches of Vogel & Schiele [19] and Oliva & Torralba [11], and the semi-supervised approach of Fei Fei & Perona [3] using their own datasets and testing protocols. In all cases the combination of (unsupervised) pLSA followed by (supervised) nearest neighbour classification achieves superior results. We show applications of this method to image retrieval with relevance feedback and to scene classification in videos. 1

Recently SVMs using spatial pyramid matching (SPM) kernel have been highly successful in image classification. Despite its popularity, these nonlinear SVMs have a complexity O(n 2 ∼ n 3) in training and O(n) in testing, where n is the training size, implying that it is nontrivial to scaleup the algorithms to handle more than thousands of training images. In this paper we develop an extension of the SPM method, by generalizing vector quantization to sparse coding followed by multi-scale spatial max pooling, and propose a linear SPM kernel based on SIFT sparse codes. This new approach remarkably reduces the complexity of SVMs to O(n) in training and a constant in testing. In a number of image categorization experiments, we find that, in terms of classification accuracy, the suggested linear SPM based on sparse coding of SIFT descriptors always significantly outperforms the linear SPM kernel on histograms, and is even better than the nonlinear SPM kernels, leading to state-of-the-art performance on several benchmarks by using a single type of descriptors. 1.

There is general consensus that context can be a rich source of information about an object's identity, location and scale. However, the issue of how to formalize contextual influences is still largely open. Here we introduce a simple probabilistic framework for modeling the relationship between context and object properties. We represent global context information in terms of the spatial layout of spectral components. The resulting scheme serves as an effective procedure for context driven focus of attention and scale-selection on real-world scenes. Based on a simple holistic analysis of an image, the scheme is able to accurately predict object locations and sizes.

frequency, natural image Humans can recognize the gist of a novel image in a single glance, independent of its complexity. How is this remarkable feat accomplished? Based on behavioral and computational evidence, this paper describes a formal approach to the representation and the mechanism of scene gist understanding, based on scene-centered, rather than objectcentered primitives. We show that the structure of a scene image can be estimated by the mean of global image features, providing a statistical summary of the spatial layout properties (Spatial Envelope representation) of the scene. Global features are based on configurations of spatial scales and are estimated without invoking segmentation or grouping operations. The scene-centered approach is not an alternative to local image analysis but would serve as a feed-forward and parallel pathway of visual processing, able to quickly constrain local feature analysis and enhance object recognition in cluttered natural scenes. 1