A motor theory of speech perception, initially proposed to account for results of early experiments with synthetic speech, is now extensively revised to accommodate recent findings, and to relate the assumptions of the theory to those that might be made about other perceptual modes. According to the revised theory, phonetic information is perceived in a biologically distinct system, a ‘module ’ specialized to detect the intended gestures of the speaker that are the basis for phonetic categories. Built into the structure of this module is the unique but lawful relationship between the gestures and the acoustic patterns in which they are variously overlapped. In consequence, the module causes perception of phonetic structure without translation from preliminary auditory impressions. Thus, it is comparable to such other modules as the one that enables an animal to localize sound. Peculiar to the phonetic module are the relation between perception and production it incorporates and the fact that it must compete with other modules for the same stimulus variations.

Previous studies have reported that some neurons in the inferior temporal (IT) cortex respond selectively to highly specific complex objects. In the present study, we conducted the first systematic survey of the responses of IT neurons to both simple stimuli, such as edges and bars, and highly complex stimuli, such as models of flowers, snakes, hands, and faces. If a neuron responded to any of these stimuli, we attempted to isolate the critical stimulus features underlying the response. We found that many of the responsive neurons responded well to virtually every stimulus tested. The remaining, stimulus-selective cells were often selective along the dimensions of shape, color, or texture of a stimulus, and this selectivity was maintained throughout a large receptive field. Although most IT neurons do not appear to be “detectors ” for complex objects, we did find a separate population of cells that responded selectively to faces. The responses of these cells were dependent on the configuration of specific face features, and their selectivity was maintained over changes in stimulus size and position. A particularly high incidence of such cells was found deep in the superior temporal sulcus. These results indicate that there may be specialized mechanisms for the analysis of faces in IT cortex. Inferior temporal (IT) cortex plays a role in visual processing several steps beyond that of the primary visual cortex. Removal

Song learning shapes the response properties of auditory neurons in the song system to become highly selective for the individual bird’s own (“autogenous”) song. The auditory representation of autogenous song is achieved in part by neurons that exhibit facilitated responses to combinations of components of song. To understand the circuits that un-derlie these complex properties, the combination sensitivity of single units in the hyperstriatum ventrale, pars caudale (HVc) of urethane-anesthetized zebra finches was studied. Some neurons exhibited nonlinear temporal summation, spectral summation, or both. The majority of these neurons exhibited low spontaneous rates and phasic responses. Most combination-sensitive neurons required highly accurate copies of sounds derived from the autogenous song and responded weakly to tone bursts, combinations of simple

& Several behavioral and brain imaging studies have demonstrated a significant interaction between speech perception and speech production. In this study, auditory cortical responses to speech were examined during self-production and feedback alteration. Magnetic field recordings were obtained from both hemispheres in subjects who spoke while hearing controlled acoustic versions of their speech feedback via earphones. These responses were compared to recordings made while subjects listened to a tape playback of their production. The amplitude of tape playback was adjusted to match the amplitude of self-produced speech. Recordings of evoked responses to both self-produced and tape-recorded speech were obtained free of movement-related artifacts. Responses to self-produced speech were weaker than were responses to tape-recorded speech. Responses to tones were also weaker during speech production, when compared with responses to tones recorded in the presence of speech from tape playback. However, responses evoked by gated noise stimuli did not differ for recordings made during selfproduced speech versus recordings made during taperecorded speech playback. These data suggest that during speech production, the auditory cortex (1) attenuates its sensitivity and (2) modulates its activity as a function of the expected acoustic feedback. &

An anatomically discrete system of interconnected brain nuclei controls production of learned song patterns in adult male zebra finches (Poephila guttata). The corresponding nuclei in females, who do not sing, are greatly reduced in volume. Cells in some telencephalic song-control nuclei ac-cumulate androgens, and male nuclei contain a much higher proportion of hormone-concentrating cells than do female nuclei. The main purpose of this experiment was to examine the normal ontogeny of the total volume of various telence-phalic nuclei that have been directly or indirectly implicated in song learning and behavior in male zebra finches. In addition, the corresponding nuclei of age-matched females were examined. The major findings were as follows: the volumes of the

The motor pathway responsible for the complex vocalizations of songbirds has been extensively characterized, both in terms of intrinsic and synaptic physiology in vitro and in terms of the spatiotemporal patterns of neural activity in vivo. However, the relationship between the neural architecture of the song motor pathway and the acoustic features of birdsong is not well understood. Using a computational model of the song motor pathway and the songbird vocal organ, we investigate the rela-tionship between song production and the neural connectivity of nucleus HVc (used as a proper name) and the robust nucleus of the archistriatum (RA). Drawing on recent experimental observations, our neural model contains a population of sequen-tially bursting HVc neurons driving the activity of a population of RA neurons. An important focus of our investigations is the contribution of intrinsic circuitry within RA to the acoustic output of the model. We find that the inclusion of inhibitory interneurons in the model can substantially influence the features of song syllables, and we illustrate the potential for subharmonic behavior in RA in response to forcing by HVc neurons. Our results demonstrate the association of specific acoustic features with specific neural connectivities and support the view that intrinsic circuitry within RA may play a critical role in generating the features of birdsong.

Anterior forebrain (AF) neurons become selective for song as songbirds learn to produce a copy of a memo-rized tutor song. We report that development of selec-tivity is compromised when birds are prevented from matching their output to the tutor song. Finches with denervated vocal organs developed stable song, but it usually did not resemble the tutor song. In those birds, numerous neurons in Area X responded selec-tively to both tutor and bird’s own song (BOS), indicat-ing the importance of both in shaping AF responses. The degree of selectivity for BOS was less, however, than that of normal adults. In contrast, neurons in denervated birds that successfully mimicked tutor song exhibited normal adult selectivity for BOS. Thus, during sensorimotor learning, selectivity for complex stimuli may be influenced by how well motor output matches internal sensory models.

& Several behavioral and brain imaging studies have demonstrated a significant interaction between speech perception and speech production. In this study, auditory cortical responses to speech were examined during self-production and feedback alteration. Magnetic field recordings were obtained from both hemispheres in subjects who spoke while hearing controlled acoustic versions of their speech feedback via earphones. These responses were compared to recordings made while subjects listened to a tape playback of their production. The amplitude of tape playback was adjusted to match the amplitude of self-produced speech. Recordings of evoked responses to both self-produced and tape-recorded

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