A motor theory of speech perception, initially proposed to account for results of early experiments with synthetic speech, is now extensively revised to accommodate recent findings, and to relate the assumptions of the theory to those that might be made about other perceptual modes. According to the revised theory, phonetic information is perceived in a biologically distinct system, a ‘module ’ specialized to detect the intended gestures of the speaker that are the basis for phonetic categories. Built into the structure of this module is the unique but lawful relationship between the gestures and the acoustic patterns in which they are variously overlapped. In consequence, the module causes perception of phonetic structure without translation from preliminary auditory impressions. Thus, it is comparable to such other modules as the one that enables an animal to localize sound. Peculiar to the phonetic module are the relation between perception and production it incorporates and the fact that it must compete with other modules for the same stimulus variations.

What is the neural representation of a speech code as it evolves in time? A neural model simulates data concerning segregation and integration of phonetic percepts. Hearing two phonetically related stops in a VC-CV pair (V = vowel; C = consonant) requires 150 ms more closure time than hearing two phonetically different stops in a VC,-C2V pair. Closure time also varies with long-term stimulus rate. The model simulates rate-dependent category boundaries that emerge from feedback: interactions between a working memory for short-term storage of phonetic items and a list categorization network for grouping sequences of items. The conscious speech code is a resonant wave. It emerges after bottom-up signals from the working memory select list chunks which read out top-down expectations that amplify and focus attention on consistent working memory items. In VCi-C2V pairs, resonance is reset by mismatch of Cj with the C, expectation. In VC-CV pairs, resonance prolongs a repeated C. What is the nature of the process that converts brain events into behavioral percepts? An answer to this question is needed in order to understand how the brain controls behavior and how the brain is, in turn, shaped by environmental feedback that is experienced on the behavioral level. The nature of this connection also needs to be understood in order to develop neurally plausible connectionist models. Without it, a correct linking hypothesis cannot be developed between psychological data and the brain mechanisms from which they are generated.

It is proposed that the theory of dynamical systems offers appropriate tools to model many phonological aspects of both speech production and perception. A dynamic account of speech rhythm is shown to be useful for description of both Japanese mora timing and English timing in a phrase repetition task. This orientation contrasts fundamentally with the more familiar symbolic approach to phonology, in which time is modeled only with sequentially arrayed symbols. It is proposed that an adaptive oscillator offers a useful model for perceptual entrainment (or `locking in') to the temporal patterns of speech production. This helps to explain why speech is often perceived to be more regular than experimental measurements seem to justify. Because dynamic models deal with real time, they also help us understand how languages can differ in their temporal detail---contributing to foreign accents, for example. The fact that languages differ greatly in their temporal detail suggests that these effe...

Animals and humans exhibit many kinds of behavior where the frequencies of gestures are related by small integer ratios (like 1:1, 2:1 or 3:1). We show that speakers who repeat a short phrase to a metronome have a strong tendency to place the onsets of stressed syllables at temporal harmonic fractions of the metronome cycle (like 1/2, 1/3 and 2/3). Studies of errors by early language learners also show that some metrical patterns are easier than others. All these effects support a view of meter as an abstract dynamical system on the state space of two or more oscillators. 1 Introduction It is a common observation that human speech is often rhythmically produced. One thinks of worksongs, nursery rhymes, auctioneer calls, group recitation of prayers and chants, marching songs, cheers at sport events, chants by train conductors and so forth. It is worth our time to wonder where such rhythmic performance comes from. It appears that typical speech rhythms vary from language to language, es...

The problem of speech patterns in time