The ratio of the vertical sizes of corresponding features in the two eyes' retinal images depends both on the associated object's distance and on its horizontal direction relative to the head (eccentricity). It is known that manipulations of vertical size ratio can affect perceived distance, size, depth and shape. We examined how observers use the vertical size ratio to determine the viewing distance. Do they use the horizontal gradient of vertical size ratio, or do they combine the vertical size ratio itself with the eccentricity at which it is found? Distance scaling (as measured by having subjects set an ellipsoid's size and shape to match a tennis ball) was no better when the judged object was 30 to the right of the head (where vertical size ratios vary considerably with distance) than when it was located straight ahead. Distance scaling improved when vertical disparities were presented within larger visual fields, irrespective of where this was relative to the head. Our results support the proposal that subjects use the horizontal gradient of vertical size ratio to estimate the distance of an object that they are looking at.

Convergence of the real or virtual stereoscopic cameras is an important operation in stereoscopic display systems. For example, convergence can shift the range of portrayed depth to improve visual comfort; can adjust the disparity of targets to bring them nearer to the screen and reduce accommodation-vergence conflict; or can bring objects of interest into the binocular field-of-view. Although camera convergence is acknowledged as a useful function, there has been considerable debate over the transformation required. It is well known that rotational camera convergence or ‘toe-in’ distorts the images in the two cameras producing patterns of horizontal and vertical disparities that can cause problems with fusion of the stereoscopic imagery. Behaviourally, similar retinal vertical disparity patterns are known to correlate with viewing distance and strongly affect perception of stereoscopic shape and depth. There has been little analysis of the implications of recent findings on vertical disparity processing for the design of stereoscopic camera and display systems. We ask how such distortions caused by camera convergence affect the ability to fuse and perceive stereoscopic images.