A classic photographic task is the mapping of the potentially high dynamic range of real world luminances to the low dynamic range of the photographic print. This tone reproduction problem is also faced by computer graphics practitioners who map digital images to a low dynamic range print or screen. The work presented in this paper leverages the time-tested techniques of photographic practice to develop a new tone reproduction operator. In particular, we use and extend the techniques developed by Ansel Adams to deal with digital images. The resulting algorithm is simple and produces good results for a wide variety of images.

We propose a fast, high quality tone mapping technique to display high contrast images on devices with limited dynamic range of luminance values. The method is based on logarithmic compression of luminance values, imitating the human response to light. A bias power function is introduced to adaptively vary logarithmic bases, resulting in good preservation of details and contrast. To improve contrast in dark areas, changes to the gamma correction procedure are proposed. Our adaptive logarithmic mapping technique is capable of producing perceptually tuned images with high dynamic content and works at interactive speed. We demonstrate a successful application of our tone mapping technique with a high dynamic range video player enabling to adjust optimal viewing conditions for any kind of display while taking into account user preference concerning brightness, contrast compression, and detail reproduction.

Abstract—A common task in computer graphics is the mapping of digital high dynamic range images to low dynamic range display devices such as monitors and printers. This task is similar to the adaptation processes which occur in the human visual system. Physiological evidence suggests that adaptation already occurs in the photoreceptors, leading to a straightforward model that can be easily adapted for tone reproduction. The result is a fast and practical algorithm for general use with intuitive user parameters that control intensity, contrast, and level of chromatic adaptation, respectively. Index Terms—Tone reproduction, dynamic range reduction, photoreceptor physiology. 1

The ultimate aim of realistic graphics is the creation of images that provoke the same responses that a viewer would have to a real scene. While research into ways of rendering images provides us with better and faster methods, we do not necessarily see their full effect due to limitations of the display hardware. The low dynamic range of a standard computer monitor requires some form of mapping to produce images that are perceptually accurate. Tone reproduction operators attempt to replicate the effect of real-world luminance intensities. This paper reviews the work to date on tone reproduction techniques. It includes an investigation into the need for accurate tone reproduction and a discussion of techniques to date. The future of tone reproduction is considered, together with the implications of advances in display hardware.

Many real-world scenes contain a dynamic range that exceeds conventional display technology by several orders of magnitude. Through the combination of several existing technologies, new high dynamic range displays, capable of reproducing a range of intensities much closer to that of real environments, have been constructed. These benefits come at the cost of more optically complex devices; involving two image modulators, controlled in unison, to display images. We present several methods of rendering images to this new class of devices for reproducing photometrically accurate images. We discuss the process of calibrating a display, matching the response of the device with our ideal model. We then derive series of methods for efficiently displaying images, optimized for different criteria and evaluate them in a perceptual framework.

With interest in high dynamic range imaging mounting, techniques for displaying such images on conventional display devices are gaining in importance. Conversely, high dynamic range display hardware is creating the need for display algorithms that prepare images for such displays. In this paper, the current state-of-the-art in dynamic range reduction and expansion is reviewed, and in particular we assess the theoretical and practical need to structure tone reproduction as a combination of a forward and a reverse pass. 1