Abstract. Stereo matching is one of the most active research areas in computer vision. While a large number of algorithms for stereo correspondence have been developed, relatively little work has been done on characterizing their performance. In this paper, we present a taxonomy of dense, two-frame stereo methods. Our taxonomy is designed to assess the different components and design decisions made in individual stereo algorithms. Using this taxonomy, we compare existing stereo methods and present experiments evaluating the performance of many different variants. In order to establish a common software platform and a collection of data sets for easy evaluation, we have designed a stand-alone, flexible C++ implementation that enables the evaluation of individual components and that can easily be extended to include new algorithms. We have also produced several new multi-frame stereo data sets with ground truth and are making both the code and data sets available on the Web. Finally, we include a comparative evaluation of a large set of today’s best-performing stereo algorithms.

We describe a system for representing moving images with sets of overlapping layers. Each layer contains an intensity map that defines the additive values of each pixel, along with an alpha map that serves as a mask indicating the transparency. The layers are ordered in depth and they occlude each other in accord with the rules of compositing. Velocity maps define how the layers are to be warped over time. The layered representation is more flexible than standard image transforms and can capture many important properties of natural image sequences. We describe some methods for decomposing image sequences into layers using motion analysis, and we discuss how the representation may be used for image coding and other applications.

This paper demonstrates a new visual motion estimation technique that is able to recover high degree-of-freedom articulated human body configurations in complex video sequences. We introduce the use of a novel mathematical technique, the product of exponential maps and twist motions, and its integration into a differential motion estimation. This results in solving simple linear systems, and enables us to recover robustly the kinematic degrees-offreedom in noise and complex self occluded configurations. We demonstrate this on several image sequences of people doing articulated full body movements, and visualize the results in re-animating an artificial 3D human model. We are also able to recover and re-animate the famous movements of Eadweard Muybridge's motion studies from the last century. To the best of our knowledge, this is the first computer vision based system that is able to process such challenging footage and recover complex motions with such high accuracy.

Since the Lucas-Kanade algorithm was proposed in 1981 image alignment has become one of the most widely used techniques in computer vision. Applications range from optical flow, tracking, and layered motion, to mosaic construction, medical image registration, and face coding. Numerous algorithms have been proposed and a variety of extensions have been made to the original formulation. We present an overview of image alignment, describing most of the algorithms in a consistent framework. We concentrate on the inverse compositional algorithm, an efficient algorithm that we recently proposed. We examine which of the extensions to the Lucas-Kanade algorithm can be used with the inverse compositional algorithm without any significant loss of efficiency, and which cannot. In this paper, Part 3 in a series of papers, we cover the extension of image alignment to allow linear appearance variation. We first consider linear appearance variation when the error function is the Euclidean L2 norm. We describe three different algorithms, the simultaneous, project out, and normalization inverse compositional algorithms, and empirically compare them. Afterwards we consider the combination of linear appearance variation with the robust error functions described in Part 2 of this series. We first derive robust versions of the simultaneous and normalization algorithms. Since both of these algorithms are very inefficient, as in Part 2 we derive efficient approximations based on spatial coherence. We end with an empirical evaluation of the robust algorithms.

This paper presents a novel approach to creating full view panoramic mosaics from image sequences. Unlike current panoramic stitching methods, which usually require pure horizontal camera panning, our system does not require any controlled motions or constraints on how the images are taken (as long as there is no strong motion parallax). For example, images taken from a hand-held digital camera can be stitched seamlessly into panoramic mosaics. Because we represent our image mosaics using a set of transforms, there are no singularity problems such as those existing at the top and bottom of cylindrical or spherical maps. Our algorithm is fast and robust because it directly recovers 3D rotations instead of general 8 parameter planar perspective transforms. Methods to recover camera focal length are also presented. We also present an algorithm for efficiently extracting environment maps from our image mosaics. By mapping the mosaic onto an artibrary texture-mapped polyhedron surrounding t...

AbstractÐNearly all super-resolution algorithms are based on the fundamental constraints that the super-resolution image should generate the low resolution input images when appropriately warped and down-sampled to model the image formation process. �These reconstruction constraints are normally combined with some form of smoothness prior to regularize their solution.) In the first part of this paper, we derive a sequence of analytical results which show that the reconstruction constraints provide less and less useful information as the magnification factor increases. We also validate these results empirically and show that, for large enough magnification factors, any smoothness prior leads to overly smooth results with very little high-frequency content �however, many low resolution input images are used). In the second part of this paper, we propose a super-resolution algorithm that uses a different kind of constraint, in addition to the reconstruction constraints. The algorithm attempts to recognize local features in the low-resolution images and then enhances their resolution in an appropriate manner. We call such a super-resolution algorithm a hallucination or recogstruction algorithm. We tried our hallucination algorithm on two different data sets, frontal images of faces and printed Roman text. We obtained significantly better results than existing reconstruction-based algorithms, both qualitatively and in terms of RMS pixel error. Index TermsÐSuper-resolution, analysis of reconstruction constraints, learning, faces, text, hallucination, recogstruction. 1

This paper describes a method to estimate parametric motion models. Motivations for the use of such models are on one hand their efficiency, which has been demonstrated in numerous contexts such as estimation, segmentation, tracking and interpretation of motion, and on the other hand, their low computational cost compared to optical flow estimation. However, it is important to have the best accuracy for the estimated parameters, and to take into account the problem of multiple motion. We have therefore developed two robust estimators in a multiresolution framework. Numerical results support this approach, as validated by the use of these algorithms on complex sequences. 1

Active Appearance Models (AAMs) and the closely related concepts of Morphable Models and Active Blobs are generative models of a certain visual phenomenon. Although linear in both shape and appearance, overall, AAMs are nonlinear parametric models in terms of the pixel intensities. Fitting an AAM to an image consists of minimizing the error between the input image and the closest model instance; i.e. solving a nonlinear optimization problem. We propose an efficient fitting algorithm for AAMs based on the inverse compositional image alignment algorithm. We show how the appearance variation can be "projected out" using this algorithm and how the algorithm can be extended to include a "shape normalizing" warp, typically a 2D similarity transformation. We evaluate our algorithm to determine which of its novel aspects improve AAM fitting performance.

Computing the motions of several moving objects in image sequences involves simultaneous motion analysis and segmentation. This task can become complicated when image motion changes signi#cantly between frames, as with camera vibrations. Such vibrations make tracking in longer sequences harder, as temporal motion constancy can not be assumed. The problem becomes even more di#cult in the case of transparent motions.

Representing and modeling the motion and spatial support of multiple objects and surfaces from motion video sequences is an important intermediate step towards dynamic image understanding. One such representation, called layered representation, has recently been proposed. Although a number of algorithms have been developed for computing these representations, there has not been a consolidated effort into developing a precise mathematical formulation of the problem. This paper presents such a formulation based on maximum likelihood estimation of mixture models and the minimum description length (MDL) encoding principle. The three major issues in layered motion representation are: (i) how many motion models adequately describe image motion, (ii) what are the motion model parameters, and (iii) what is the spatial support layer for each motion model. In order to allow multiple models in the description of image motion, the likelihood function for change in intensity of a pixel is modeled a...