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The Design Argument
, 2004
"... The design argument is one of three main arguments for the existence of God; the others are the ontological argument and the cosmological argument. Unlike the ontological argument, the design argument and the cosmological argument are a posteriori. And whereas the cosmological argument could focus o ..."
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The design argument is one of three main arguments for the existence of God; the others are the ontological argument and the cosmological argument. Unlike the ontological argument, the design argument and the cosmological argument are a posteriori. And whereas the cosmological argument could focus on any present event to get the ball rolling (arguing that it must trace back to a first cause, namely God), design theorists are usually more selective. Design arguments have typically been of two types – organismic and cosmic. Organismic design arguments start with the observation that organisms have features that adapt them to the environments in which they live and that exhibit a kind of delicacy. Consider, for example, the vertebrate eye. This organ helps organisms survive by permitting them to perceive objects in their environment. And were the parts of the eye even slightly different in their shape and assembly, the resulting organ would not allow us to see. Cosmic design arguments begin with an observation concerning features of the entire cosmos – the universe obeys simple laws, it has a kind of stability, its physical features permit life and intelligent life to exist. However, not all design arguments fit into these two neat compartments. Kepler, for example, thought that the face we see when we look at the moon requires explanation in terms of intelligent design. Still, the common thread is that design theorists
SENSITIVITY AND ITS PHILOSOPHICAL SIGNIFICANCE
"... utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. ..."
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utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher.
Library of Congress Cataloging-in-Publication Data
"... Routledge is an imprint of the Taylor & Francis Group Printed in the United States of America on acid-free paper. Copyright © 2002 by Nick Bostrom All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now kn ..."
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Routledge is an imprint of the Taylor & Francis Group Printed in the United States of America on acid-free paper. Copyright © 2002 by Nick Bostrom All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher.
This excerpt from Knowledge and Mind.
"... is provided in screen-viewable form for personal use only by members of MIT CogNet. Unauthorized use or dissemination of this information is expressly forbidden. ..."
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is provided in screen-viewable form for personal use only by members of MIT CogNet. Unauthorized use or dissemination of this information is expressly forbidden.

