Abstract — The ability to place objects in an environment is an important skill for a personal robot. An object should not only be placed stably, but should also be placed in its preferred location/orientation. For instance, it is preferred that a plate be inserted vertically into the slot of a dish-rack as compared to being placed horizontally in it. Unstructured environments such as homes have a large variety of object types as well as of placing areas. Therefore our algorithms should be able to handle placing new object types and new placing areas. These reasons make placing a challenging manipulation task. In this work, we propose using a supervised learning approach for finding good placements given point-clouds of the object and the placing area. Our method combines the features that capture support, stability and preferred configurations, and uses a shared sparsity structure in its the parameters. Even when neither the object nor the placing area is seen previously in the training set, our learning algorithm predicts good placements. In robotic experiments, our method enables the robot to stably place known objects with a 98 % success rate and 98 % when also considering semantically preferred orientations. In the case of placing a new object into a new placing area, the success rate is 82 % and 72%. 1 I.

Abstract—Placing is a necessary skill for a personal robot to have in order to perform tasks such as arranging objects in a disorganized room. The object placements should not only be stable but also be in their semantically preferred placing areas and orientations. This is challenging because an environment can have a large variety of objects and placing areas that may not have been seen by the robot before. In this paper, we propose a learning approach for placing multiple objects in different placing areas in a scene. Given point-clouds of the objects and the scene, we design appropriate features and use a graphical model to encode various properties, such as the stacking of objects, stability, object-area relationship and common placing constraints. The inference in our model is an integer linear program, which we solve efficiently via an LP relaxation. We extensively evaluate our approach on 98 objects from 16 categories being placed into 40 areas. Our robotic experiments show a success rate of 98 % in placing known objects and 82 % in placing new objects stably. We use our method on our robots for performing tasks such as loading several dish-racks, a bookshelf and a fridge with multiple items. 1 I.

Inexpensive RGB-D cameras that give an RGB image together with depth data have become widely available. In this paper, we use this data to build 3D point clouds of full indoor scenes such as an office and address the task of semantic labeling of these 3D point clouds. We propose a graphical model that captures various features and contextual relations, including the local visual appearance and shape cues, object co-occurence relationships and geometric relationships. With a large number of object classes and relations, the model’s parsimony becomes important and we address that by using multiple types of edge potentials. The model admits efficient approximate inference, and we train it using a maximum-margin learning approach. In our experiments over a total of 52 3D scenes of homes and offices (composed from about 550 views, having 2495 segments labeled with 27 object classes), we get a performance of 84.06 % in labeling 17 object classes for offices, and 73.38 % in labeling 17 object classes for home scenes. Finally, we applied these algorithms successfully on a mobile robot for the task of finding objects in large cluttered rooms. 1 1

Abstract. While a significant body of work has been done on grasping objects, there is little prior work on placing and arranging objects in the environment. In this work, we consider placing multiple objects in complex placing areas, where neither the object nor the placing area may have been seen by the robot before. Specifically, the placements should not only be stable, but should also follow human usage preferences. We present learning and inference algorithms that consider these aspects in placing. In detail, given a set of 3D scenes containing objects, our method, based on Dirichlet process mixture models, samples human poses in each scene and learns how objects relate to those human poses. Then given a new room, our algorithm is able to select meaningful human poses and use them to determine where to place new objects. We evaluate our approach on a variety of scenes in simulation, as well as on robotic experiments. 1

Abstract. Scene understanding requires reasoning about both what we can see and what is occluded. We offer a simple and general approach to infer labels of occluded background regions. Our approach incorporates estimates of visible surrounding background, detected objects, and shape priors from transferred training regions. We demonstrate the ability to infer the labels of occluded background regions in both the outdoor StreetScenes dataset and an indoor scene dataset using the same approach. Our experiments show that our method outperforms competent baselines. 1

Abstract. We describe a technique that automatically generates plausible depth maps from videos using non-parametric depth sampling. We demonstrate our technique in cases where past methods fail (nontranslating cameras and dynamic scenes). Our technique is applicable to single images as well as videos. For videos, we use local motion cues to improve the inferred depth maps, while optical flow is used to ensure temporal depth consistency. For training and evaluation, we use a Kinect-based system to collect a large dataset containing stereoscopic videos with known depths. We show that our depth estimation technique outperforms the state-of-the-art on benchmark databases. Our technique can be used to automatically convert a monoscopic video into stereo for 3D visualization, and we demonstrate this through a variety of visually pleasing results for indoor and outdoor scenes, including results from the feature film Charade. 1