### Table 2. Parameters of the PL relation ts described in the text. is the o set of the PL relation, the slope, N the number of stars in the sample, and res the dispersion of the t residuals. We caution the reader that the o sets are given in the EROS 2 lter system, which is not standard.

"... In PAGE 3: ... in a given sample. The parameters from the ts are given in Table2 . Two results have to be pointed out: rst, the slope of the SMC F Cepheids long{period sample from the t of method (2) is closer to that of the LMC F Cepheid sample; second, the SMC F Cepheids with P lt; 2 days follow a PL relation with a much steeper slope.... ..."

### Table 1. Photometry of the two EROs S7F5 45 and S7F5 254 from the MUNICS catalog. All magnitudes are in the Vega system and measured within 5 quot; diameter aperture (Drory et al. 2001).

### Table I. Percentage of ERO and CO Violations ERO Violation (%) CO Violation (%)

### Table 3. Calibration coefficients (from RESTEC, EROS and astronomical almanac).

### Table 3. Calibration coefficients (from RESTEC, EROS and astronomical almanac).

### Table 4: Sensitivity of the volume and moments of inertia to variations in the spherical harmonic coefficients for the 433 Eros asteroid.

2005

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### Table I. Stream Pattern Recognition Accuracy (%) Data Source Classi cation Eros

### Table 1. Description of the objects. and of LHS102A, satured on EROS apos; images, as in van Altena et al. 1995. and take into account the object apos;s proper motion. LHS102A LHS102B EROS-MP J0032

"... In PAGE 2: ... Two of the 12 objects clearly have colours typical of L dwarfs, with I{J larger than 3.5 (see Table1 ). Finding charts of these new L dwarfs are given in Fig.... ..."

### Table 1. SMC Beat Cepheids. CCD number and identi cation number in the EROS database, period of the longer mode of pulsation, period ratio, EROS colors and modes identi cation. ccd iet PerdL Ratio

"... In PAGE 2: ... It is not a complete sample, only the obvious BCs have been discovered so far. Their magnitudes, colors, and period ratios are summa- rized in Table1 . Four are pulsating in the the fundamen- tal and rst overtone (F/1OT) mode, seven are pulsat- ing in the rst and second overtone mode (1OT/2OT).... ..."