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33
Towards Stylistic Consonance in Human Movement Synthesis
"... A common task in dance, martial arts, animation, and many other movement genres is for the character to move in an innovative and yet stylistically consonant fashion. In this paper, we describe two mechanisms for automating this process and evaluate the results with a Turing Test. Our algorithms use ..."
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Cited by 2 (2 self)
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A common task in dance, martial arts, animation, and many other movement genres is for the character to move in an innovative and yet stylistically consonant fashion. In this paper, we describe two mechanisms for automating this process and evaluate the results with a Turing Test. Our algorithms
Generating Novel, Stylistically Consonant Variations on Human Movement Sequences
, 2007
"... Submitted to the Journal of Artificial Intelligence Research. A common task in dance, martial arts, animation, and many other movement genres is for the character to move in an innovative and yet stylistically consonant fashion. This paper describes a corpus-based method for automatically generating ..."
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Cited by 1 (0 self)
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Submitted to the Journal of Artificial Intelligence Research. A common task in dance, martial arts, animation, and many other movement genres is for the character to move in an innovative and yet stylistically consonant fashion. This paper describes a corpus-based method for automatically
Articulatory Synthesis Of Fricative Consonants: Data And Models
- In ETRW on Speech Production: from Control Strategies to acoustics
, 1996
"... The present work aims at demonstrating the feasibility of high quality articulatory synthesis for fricative consonants, and in particular to match a given reference subject. The synthesiser includes an articulatory model based on cineradiographic pictures of the subject, and a simplified aerodynamic ..."
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Cited by 3 (2 self)
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The present work aims at demonstrating the feasibility of high quality articulatory synthesis for fricative consonants, and in particular to match a given reference subject. The synthesiser includes an articulatory model based on cineradiographic pictures of the subject, and a simplified
AUDITORY FEATURES UNDERLYING CROSS-LANGUAGE HUMAN CAPABILITIES IN STOP CONSONANT DISCRIMINATION
"... For some phonemic distinctions human listeners exhibit a marked cross-language capability, in that they are capable of highly correct classification in relation to sounds (like CVs or VCVs) uttered by speakers of another language. This is particularly true regarding distinctions that are perceived i ..."
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in a more categorical fashion, like that of 3-way PLACE discrimination in stop consonants. It is plausible that the reason for this is a mostly common (across languages) auditory basis for human communication of this discrimination. Also, human communication of this discrimination is notably impervious
The behavior of secondary consonant clusters in Swiss French child language
"... This paper aims to determine the behavior of secondary clusters in Swiss French child language and, in doing so, provide a first step towards the identification of the order of acquisition of primary and secondary clusters. The data first of all reveal that the variant with schwa is in a global fash ..."
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fashion preferred to the variant without schwa, and this regardless of the child’s mastery of primary clusters. The data further reveal that the occasional production of the non-preferred variant without schwa entails modifications of the secondary cluster in conformity with the child’s relative mastery
Consonant Recognition by Modular Constructlon of Large Phonemic Time-Delay Neural Networks
"... Abstract In this paper we show that neural networks for speech recognition can be constructed in a modular fashbn by expbiting the hidden structure of prevbusly trained phonetic subcategory networks. The performance of resulting larger phonetic nets was found to be as good as the performance of the ..."
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of 96.0% for ail consonants and 94.7% for all phonemes. Introductlon Recently we have demonstrated that connectionist architectures capable of capturing some critical aspects of the dynamic nature of speech, can achieve superior recognition performance for daficuit but small phonemic discrimination
FUJIMOTO and KAGOMIYA: GEMINATION OF CONSONANT IN SPONTANEOUS SPEECH � � � � ‘octagon’), and “gengogakka ” ( � � � � � � � � � � � � ‘Department of Linguistics’) [4].
"... are indicated in parentheses in the phonetic transcription text by the letter “W ” in front, and are followed by a semicolon and the form as it is supposed to be pronounced (if the words are pronounced in more enunciated fashion). Some of those examples are “(W � � � � � � � � ; � � � � ..."
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are indicated in parentheses in the phonetic transcription text by the letter “W ” in front, and are followed by a semicolon and the form as it is supposed to be pronounced (if the words are pronounced in more enunciated fashion). Some of those examples are “(W
Now You Hear It, Now You Don’t: Transient Traces of Consonants and their Nonspeech Analogues in the
"... The apparently effortless identification of speech is one of the human auditory cortex ’ finest and least understood functions. This is partly due to difficulties to tease apart effects of acoustic and phonetic attributes of speech sounds. Here we present evidence from magnetic source imaging that t ..."
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that the auditory cortex represents speech sounds (such as [g] and [t]) in a topographically orderly fashion that is based on phonetic features. Moreover, this mapping is dependent on intelligibility. Only when consonants are identifi-able as members of a native speech sound category is topograph-ical spreading out
Comparing the Processing of Music and Language Meaning Using EEG and fMRI Provides Evidence for Similar and Distinct Neural Representations
, 2008
"... Recent demonstrations that music is capable of conveying semantically meaningful information has raised several questions as to what the underlying mechanisms of establishing meaning in music are, and if the meaning of music is represented in comparable fashion to language meaning. This paper presen ..."
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Cited by 21 (2 self)
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presents evidence showing that expressed affect is a primary pathway to music meaning and that meaning in music is represented in a very similar fashion to language meaning. In two experiments using EEG and fMRI, it was shown that single chords varying in harmonic roughness (consonance/dissonance) and thus
INTERSPEECH 2011 Jaw movement in vowels and liquids forming the syllable nucleus
"... This paper investigates jaw movements in the production of Slovak syllables with and without vowels. We test the hypothesis that /l, r / in the syllable nucleus position show a degree of jaw opening comparable to vowels, therefore providing a rising-falling sonority profile even in syllables lacking ..."
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lacking vowels. We also investigate whether the phonemic length distinction occurring for both vowels and syllabic consonants is implemented in a similar fashion for the different nucleus types. Our articulatory data show that the jaw activity during syllabic liquids is indeed comparable to that of vowels
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